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Gospel
for: Choir (2 voices), piano [keyboard, guitar]
Anthem
for: 3 soloists (ATB), mixed choir (SATB), organ
(„There's a music up in the frozen hills“)
for: Mixed choir (SATB) a cappella
for: Mixed choir (SATB), organ
from: Il primo libro di Capricci, Rom 1624
for: Voice, piano
Chor aus dem Oratorium "Messias"
for: Mixed choir (SATB), piano
for male choir a cappella
for: Male choir
Jerusalem for Voice (Medium / High) and Piano
for: Voice (medium/high), piano
Traditional English Folksong for Voice and Piano
aus: "The First Set of English Madrigals to 3. 4. 5. and 6. voices" London, 1598
for: Women's choir (SSA) a cappella
for: Choir (2 voices) a cappella
Terzett aus der Operette "The Mikado or the Town of Titipu"
for: Women's choir (SAA) [3 solo voices], piano
Spiritual
for: Mixed choir (SABar) a cappella
Spiritual für Chor und Klavier
for: Mixed choir (SABar), piano
for: Mixed choir (SATB), rhythm section [piano]
for: Mixed choir (SABar), piano [organ]
for: Mixed choir (SATB), orchestra
Folk Song
for: Voice (medium), piano [guitar/keyboard]
aus: "The First Set of Madrigals and Mottets, apt for Viols and Voyces"
for: Mixed choir (SATTB); basso continuo ad lib.
Irish Country Song
for: Voice (medium), guitar
for: Voice (medium), piano
aus: "The First Set of English Madrigals"
from "The Second Booke of Songes or Ayres of foure partes with Tableture for the Lute", 1600
for: Mixed choir (SATB), lute [harpsichord]
from "Songs for Gospel 4" for Choir (SATB) and Combo (Piano / Guitar / Bass / Drums)
for: Mixed choir (SATB), piano; guitar, bass, percussion ad lib.
Catch of three Voices, from: Pammelia Musicks Miscellanie or Mixed Varietie Of Pleasant Roundelayes, and delightfull Catches London, 1609
for: 3 equal voices [women's choir/male choir]
for: Mixed choir (SATB); piano [keyboard], guitar, bass, drums ad lib.
("O be joyful in the Lord") from: The Morning and Evening Service, op. 10
Anthem for mixed Chorus with Tenor (or Soprano) Solo, Alto Solo and Organ London 1908
for: 2 soloists (T/S), mixed choir (SATB), organ
Ballad
The Rag-Time Oyster Man
by Mr Herbert from: The Catch Club or Merry Companions
for: 3 voices, basso continuo
for: Male choir (TTB) a cappella
aus: Morning, Communion and Evening Service, op. 10 London, 1879
Traditional American
Gospel, arranged for 2 Voices and Keyboard / Guitar
for: Mixed choir (2 voices), keyboard [guitar]
Gospel for voices (unisono), chamber orchestra, timpani, drums and piano (four hands)
for: Choir (one voice), youth orchestra
Gospel for mixed choir (SATB) and piano / organ ad lib.
for: Mixed choir (SATB); piano [organ] ad lib.
Canon three in one aus: "Psalmody Or A Collection Of Psalm Tunes"
for: Mixed choir (SAB), basso continuo
from "A Collection of New Glees"
Hob.: XXIII Anhang / Nachtrag
(„Glory be to God on high“) for mixed Choir and Organ
Canon for three voices
for: Women's choir [male choir] (3 voices)
Tango for violin / flute / clarinet and piano
for: Violin [flute/clarinet (B-flat)], piano; guitar, bass ad lib.
Albumblatt, WoO 59
for: Piano
Schlusschor aus der 9. Sinfonie ("Europahymne") leicht bearbeitet für Chor und Klavier
