Nina Eidsheim, Katherine Meizel

The Oxford Handbook of Voice Studies

Oxford Handbooks

The Oxford Handbook of Voice Studies, Ges (Bu) (0)
fürSingstimme
AusgabeBuch (Hardcover)
Artikelnr.778137
Autor / KomponistNina Eidsheim, Katherine Meizel
Spracheenglisch
Erscheinungsjahr2019
Verlag / HerstellerOxford University Press
Hersteller-Nr.OUP9780199982295
ISBN9780199982295

Beschreibung

More than 200 years after the first speaking machine, we are accustomed to voices that speak from any- and everywhere. We interact daily with voices that emit from house alarm systems, cars, telephones, and digital assistants, such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions about the human, the animal, the machine, and the spiritual-or in non-metaphysical terms-questions about identity and authenticity. In The Oxford Handbook of Voice Studies, contributors look to the metaphorical voice as well as the clinical understanding of the vocal apparatus to answer the seemingly innocuous question: What is voice?

From a range of disciplines including the humanities, biology, culture, and technology studies, contributors draw on the unique methodologies and values each has at hand to address the uses, meanings, practices, theories, methods, and sounds of the voice. Together, they assess the ways that discipline-specific, ontological, and epistemological assumptions of voice need to shift in order to take the findings of other fields into account. This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.

Inhalt

  •  Introduction
  •  Nina Sun Eidsheim and Katherine Meizel
  •  I. Framing Voice: Voice as a Carrier of Meaning
  •  Frontispiece. What is Voice?
  •  Yoko Ono (with Juliette Bellocq and Jessica Fleischmann, graphic design)
  •  1. What Was the Voice?
  •  Shane Butler
  •  2. Object, Person, Machine, or What: Practical Ontologies of Voice
  •  Matt Rahaim
  •  3. Singing High: Black Countertenors and Gendered Sound in Gospel Performance
  •  Alisha Lola Jones
  •  II. Changing Voice: Voice as Barometer
  •  4. Medical Care of Voice Disorders
  •  Robert T. Sataloff and Mary J. Hawkshaw
  •  5. Fluid Voices: Processes and Practices in Singing Impersonation
  •  Katherine Meizel and Ronald C. Scherer
  •  6. This American Voice: The Odd Timbre of a New Standard in Public Radio
  •  Tom McEnaney
  •  7. The Voice of Feeling: Liberal Subjects, Music, and the Cinematic Speech
  •  Dan Wang
  •  III. Active Voice: Voice as Politics
  •  8. Trans/forming White Noise: Gender, Race, and Dis/ability in the Music of Joe Stevens
  •  Elias Krell
  •  9. Voice in Charismatic Leadership
  •  Rosario Signorello
  •  10. Challenging Voices: Re-Listening to Marshallese Histories of the Present
  •  Jessica A. Schwartz and April L. Brown
  •  11. Voice Dipped in Black: The Louisville Project and the Birth of Black Radical Argument in College Debate Policy
  •  Shanara R. Reid-Brinkley
  •  IV. Sensing Voice: Voice as (Multi-)Sensory Phenomenon
  •  12. Voiceness in Musical Instruments
  •  Cornelia Fales
  •  13. The Evolution of Voice Perception
  •  Katarzyna Pisanski and Gregory A. Bryant
  •  14. Acoustic Slits and Vocal Incongruences in Los Angeles Union Station
  •  Nina Sun Eidsheim
  •  15. Tuning a Throat Song in Inner Asia: On the Nature of Vocal Gifts with People's Xöömeizhi of the Tyva Republic Valeriy Mongush (b. 1953)
  •  Robert O. Beahrs
  •  V. Producing Voice: Vocal Modalities
  •  16. The Echoing Palimpsest: Singing and the Experience of Time at the Ecumenical Patriarchate of Constantinople
  •  Alexander K. Khalil
  •  17. Laryngeal Dynamics of Taan Gestures in Indian Classical Singing
  •  Nandhakumar Radhakrishnan, Ronald C. Scherer, and Santanu Bandyopadhyay
  •  18. Proximity/Infinity: The Mediated Voice in Mobile Music
  •  Miriama Young
  •  19. When Robots Speak on Screen: Imagining the Cinemechanical Ideal
  •  Jennifer Fleeger
  •  VI. Negotiating Voice: Voice as Transaction
  •  20. Robot Imams!: Standardizing, Centralizing, and Debating the Voice of Islam in Millennial Turkey
  •  Eve McPherson
  •  21. Singing and Praying among Korean Christian Converts (1896-1915): a Trans-Pacific Genealogy of the Modern Korean Voice
  •  Hyun Kyong Hannah Chang
  •  22. Building the Broadway Voice
  •  Jake Johnson
  •  Epilogue
  •  23. Defining and Studying Voice across Disciplinary Boundaries
  •  Jody Kreiman
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