Inhalt
-  ,Introduction
-  ,Part I. Models and Methods:
-  ,1. Approaches and analogies
-  ,2. Subgenre, interpretation, and the generic repertoire
-  ,3. Fifteenth-century uses of the term 'motet'
-  ,Part II. Motets in the Early Fifteenth Century: The Case of Bologna Q15:
-  ,4. The motet section of Bologna Q15 and its ramifying roots
-  ,5. A new hybrid subgenre: the cut-circle motet
-  ,6. Other new hybrid subgenres
-  ,7. The motet in the early fifteenth century: evolution and interpretation
-  ,Part III. Motets in the Mid-Fifteenth Century: The Case of the Trent Codices:
-  ,8. Motets in the Trent codices: establishing the boundaries
-  ,9. English and continental cantilena-style motets
-  ,10. Motets with a tenor cantus firmus c. 1430–1450
-  ,11. Freely composed four-voice writing in transition
-  ,12. The four-voice motet c. 1450–1475