Johann Sebastian Bach (1685 – 1750), Frieder Rempp

You, who the name of Christ have taken BWV 164

Cantata for the 13th Sunday after Trinity – "Ihr, die ihr euch von Christo nennet"
Urtext Stuttgarter Bach-Ausgaben (revised edition)

Johann Sebastian Bach et al. - You, who the name of Christ have taken BWV 164Johann Sebastian Bach et al. - You, who the name of Christ have taken BWV 164Johann Sebastian Bach et al. - You, who the name of Christ have taken BWV 164Johann Sebastian Bach et al. - You, who the name of Christ have taken BWV 164
for4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Musical EditionsStudy score
Item no.681132
Author / ComposerJohann Sebastian Bach, Frieder Rempp
Languagesgerman, english
Scope32 pages; 15 × 21 cm
Duration17 minutes
Year of origin1725
Release year2018
Publisher / ProducerCarus Verlag
Producer No.CV 31.164/07
ISMN9790007242343

Description

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach’s Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection "Evangelisches Andachts-Opffer". Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck’s printed collection (BWV 132, 152, 161–163, 165): the first five movements of the cantata in chamber music arrangement are performed by vocal soloists, while only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit (compassion), Erbarmen (mercy) and wahre Christenliebe (true Christian love).

The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form.

Scoring: 2 Fl, 2 Ob, 2 Vl, Va, Bc

English version: Henry S. Drinker, revised by Robert Scandrett

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